Theatre Lover's Journal for December 1999:
The Century of the Musical
by John Kenrick
As the 20th Century ends, historians and journalists are piling up labels for it.
Well, its time someone pointed out that, among other things, it was The Century of the
Musical.
Yes, the modern musical has its roots in the 19th
Century, but this century saw musicals become a worldwide cultural force. This was partly
due to the introduction of new media (records, radio, film, television), but also because
of a multitude of extraordinary writers, composers and performers. They brought the
musical places that must have seemed unthinkable one hundred years ago.
1899 was actually a very dark time for musical theatre, a
form that had shown great promise in the 1880’s. Offenbach and Strauss were dead,
Gilbert & Sullivan had stopped collaborating, and America’s Harrigan and Hart had
split-up back in 1884. Most musicals were empty-headed, slapdash spectacles built around
stars like Lillian Russell or DeWolf Hopper. Even people in the theatre considered
musicals to be less important than dramas and comedies. The biggest Broadway and London
hits of the 1890’s (Wang, Reilly and the 400, Castles in the Air, Robin Hood, Gaiety
Girl, Belle of New York) are unrevivable and essentially forgotten today. With the
exception of Robin Hood’s "Oh Promise Me," the showtunes of that decade are
mostly forgotten.
However, the first decade of the 20th Century
saw the rise of Victor Herbert and George M. Cohan, and the re-birth of continental
operetta thanks to Franz Lehar and Oscar Straus. The Red Mill, Little Johnny Jones,
Floradora, Babes in Toyland, The Merry Widow, and The Chocolate Soldier are still
remembered, and their best songs are still familiar. Each succeeding decade has provided a
healthy quota of great musicals on stage and (eventually) screen.
Today, a New Yorker could catch an early screening of
Singin’ In the Rain (1952) at a revival house, catch a matinee of Rent (1996) at the
Nederlander, an evening broadcast of Crazy for You (1992) on PBS, and finish off the day
listening to a new Ohio Opera recording of Victor Herbert’s Eileen (1917) or watching
a video of Astaire and Rogers in Top Hat (1935). (No, I haven’t really done all that
in one day myself - but I’ve come darn close!) Could there be more graphic proof that
this was the century when the musical came of age?
Although some of the musical stage and screen greats were
born in the 1800’s, most did their greatest work in the 20th Century –
Abbott, Berlin, Bernstein, Coward, Drake, Freed, Garland, the Gershwins, Hammerstein,
Herman, Jolson, Lerner, Loewe, Kern, Martin, Merman, Porter, Rodgers, Sondheim, Ziegfeld .
. .and that is just the top of a massive list.
So as we greet the year 2000, Musicals101.com offers an affectionate tribute
to the thousands of talented people who made musical theatre and film
a vibrant part of our popular culture. Farewell to the 20th Century musicals,
where "life and love and luck may be changed, hope renewed and fate rearranged."
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