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Selected Bibliography for
Our Love Is Here To Stay
compiled by John Kenrick

  • Abbott, George. Mister Abbott. New York: Random House, 1963. The Grand Old Man of musical theatre was born in the 19th Century, but expresses a surprisingly enlightened attitude towards gays in this autobiography.

  • Ayre, Leslie. The Gilbert & Sullivan Companion. London: Papermac, 1985. The best source for quick references on G&S and their works.

  • Barrios, Richard. Screened Out: Playing Gay in Hollywood From Edison to Stonewall. New York: Routledge, 2003. An absorbing and highly entertaining look at the depiction of homosexuals in American film. A great read, witty and packed with information. 

  • Beckerman, Bernard & Siegman, Howard; Editors. On Stage; Selected Theatre Reviews From The New York Times, 1920-1970. New York: Arno Press, 1973 A great chance to see how Times critics reacted to the trends of Broadway's golden age.

  • Chauncey, George. Gay New York. New York: Basic Books, 1994. This set a new standard for gay historical scholarship – indispensable.

  • Coward, Noel. Play Parade. New York: Doubleday, 1933. Some of Coward's best early plays, including several musicals.

  • Ehrenstein, David. Open Secret: Gay Hollywood 1928-1998. New York: William Morrow & Co., 1998. A look at who was gay in Hollywood – and at why America cared so much. The chapter on Tom Cruise is a hoot!

  • Ewen, David. American Musical Theatre. New York: Holt, Rinehart & Winston, 1970. A sensational reference book, long out of print.

  • Eyman, Scott. The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930. New York: Simon & Schuster, 1997. The best book ever on what happened when sound turned Hollywood on its ear.

  • Gilbert, Douglas. American Vaudeville: Its Life and Times. New York: Dover Publications, 1963. An early history of vaudeville – and still the best.

  • Goldman, Howard. Jolson: The Legend Comes To Life. New York: Oxford University Press, 1988. The finest theatrical biography to appear in the last twenty five years.

  • Green, Stanley. Broadway Musicals Show By Show. Milwaukee: Hal Leonard Books, 1985. An excellent reference book – could have been more comprehensive.

  • Israel, Lee. Miss Tallulah Bankhead. New York: G.P. Putnam's Sons, 1974. The best of the Bankhead bios provides a fun peek into Broadway and Hollywood in the 20th Century.

  • Hadleigh, Boze. Hollywood Gays. New York: Barricade Books, New York. 1996. Hadleigh candidly interviewed some prominent homosexual men in film and television, then withheld the texts until all of them were dead. The results provide a fascinating look into some of America's most public closeted lives. Cary Grant, Randolph Scott, Paul Lynde, James Coco and more.

  • Hadleigh, Boze. Hollywood Lesbians. New York: Barricade Books, 1994. Same as above, with interviews of Patsy Kelly, Barbara Stanwyck, Agnes Moorehead, Nancy Kulp and more.

  • Herman, Jerry. Showtune. New York: Donald I. Fine Books, 1996. A charming and at times candid look back over an exceptional life.

  • Kahn, E.J. The Merry Partners: The Age and Stage of Harrigan and Hart. New York: Random House, 1955. A sensational read, this brings the New York of the late 1800s to life.

  • Lerner, Alan Jay. The Street Where I Live. New York: W.W. Norton & Company, 1978. Hilarious anecdotes fill this autobiography.

  • Lerner, Alan Jay. The Musical Theatre: A Celebration. New York: McGraw Hill, 1986. Lerner's last book, a valentine to the art form he loved.

  • Lesley, Cole. The Life Of Noel Coward. London, Penguin, 1976. A charming Coward bio written by his longtime assistant.

  • Mann, William J. Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910-1969. New York: Viking, 2001. The best book yet on the homosexual presence in classic film, with ample and well-researched coverage of musical screen talents. A great read!

  • Marx, Samuel & Clayton, Jan. Rodgers & Hart: Bewitched, Bothered and Bewildered. New York: G.P. Putnam's Sons, 1976. A sensitive look at a frequently rocky relationship.

  • McGilligan, Patrick. George Cukor: A Double Life. New York: St. Martin's Press, 1991. The first biography of the great director to deal honestly (and not unkindly) with his homosexuality. Gives a fascinating glimpse into the most elite gay circle of Hollywood's golden years.

  • McNally, Terrence. Love! Valor! Compassion! New York: Dramatists Play Service, 1995. A masterful play about gay perspectives in the 1990s – gotta love that Buzz!

  • Mordden, Ethan; Editor. Waves. New York: Vintage Books, 1994. Superlative short stories, with one of the best by Mordden himself.

  • Nimmons, David. The Soul Beneath the Skin: The Unseen Hearts and Habits of Gay Men. New York: St. Martin's Press, 2002. An eye opening and beautifully written look at how gay life is helping to redefine society at large. Highly recommended!

  • Payne, Graham and Day, Barry. My Life With Noel Coward. New York: Applause Books, 1994. Coward's longtime companion in a loving (not gossipy) series of reminiscences.

  • Porter, Cole. The Complete Lyrics of Cole Porter. New York: Vintage Books, 1984. Read 'em and laugh, then read 'em and weep – what a legacy!

  • Rudnick, Paul. Jeffrey. New York: Dramatists Play Service, 1995. Possibly the best gay comedy of the 1990s.

  • Russo, Vito. The Celluloid Closet. New York: Harper Row, 1985. Still the best of its kind, it was the first major look at gays as seen on film.

  • Schanke, Robert A., and Kim Maara, Editors. Passing Performances: Queer Readings of Leading Players in American Theater History. Ann Arbor: University of Michigan Press, 1998. Some fact and a lot of speculation compromise these interesting essays on actors who challenged sexual barriers.

  • Schulman, Sarah. Stagestruck: Theatre, Aids, and the Marketing of Gay America. Durham, NC: Duke University Press, 1998. Just when I thought I was alone, along comes a book that reads Rent's beads for what it says about gays, lesbians and AIDS. A real eye opener about cultural politics and the literary establishment.

  • Smith, Cecil. Musical Comedy in America. New York: Theatre Arts Books, 1950. One of the first books on musical theatre, and still a great resource – especially for the 1800s.

  • Springer, John. All Talking! All Singing! All Dancing! New York: Cadillac Publishing, New York. 1966. A delicious collection of photos with brief but perceptive text.

  • Stein, Charles; Editor. American Vaudeville. New York: Da Capo Press, 1984. A great collection of vaudeville articles and other resources.

  • Toll, Robert. Blacking Up. New York: Oxford University Press, 1974. The best book on minstrelsy, honest and well-researched.

  • Wolf, Stacy. A Problem Like Maria: Gender and Sexuality in the American Musical. Ann Arbor: University of Michigan Press, 2002. I usually have little use for scholars out to "queer the canon" of popular culture, but there are some intriguing ideas in this, the first book to discuss musicals from a lesbian-feminist perspective.

 

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