Forever Plaid
Astoria Performing Arts Center (APAC)
Astoria, NY - May 2006
Reviewed by John Kenrick

Ryan J. Ratliff, Shad Olsen, Frederick Hamilton and Joseph Torello in APAC's Forever Plaid.

Most any theatre company can stage an enjoyable revival of an established hit, but it is a rare thing indeed to find a revival that actually matches the excitement and energy of the original -- and that is exactly what the Astoria Performing Arts Center is offering in its superb new production of Forever Plaid. What makes it all the more delicious is that they are doing this in a Queens basement. Yes, great theatre can happen anywhere!

Its been a challenging year for this spunky little theatre company, which has kept up an ambitious production schedule despite administrative changes and the loss of its longtime theatre. APAC's current performing home is a cellar theatre in a townhouse right beside the Triborough Bridge -- the sort of cozy, improvised space where off-Broadway companies used to work magic in days gone by. Well, thanks to APAC, the spirit of those days lives again, and the result is two of the jolliest hours I've spent in any theatre this year.

Stuart Ross's Forever Plaid is deceptively simple. A male pop quartet killed in a 1964 car crash (en route to their first professional gig) has been stuck ever since in some kind of limbo. They return to earth for one night only, in order to give their concert and fulfill their dream, filling the stage with hokey comedy, endearing personal revelations, and tons of gorgeous close-harmony singing. Filled with classic period hits ("Three Coins in the Fountain," "Rags to Riches") and bolstered by affectionate tributes to such cultural icons as Ed Sullivan and Perry Como, Forever Plaid is a sure-fire audience pleaser for most any age group. As a result, many amateur and professional productions have assumed that all this show requires is four good singers and some accompaniment -- quite forgetting that the long-running original production relied on creative staging and performers with extraordinary comic instincts.

The men of Forever Plaid show off their long dreamt-of LP covers.

Fellow Plaid fans will be delighted to learn that APAC puts this loveable show back into top-notch working order. Director Brian J. Swasey has the good sense to respect the key routines built into the show, but he goes the extra mile by throwing in plenty of ingenious touches and selecting a cast of gifted singing actors. No "going through the motions" here -- this is as real and fresh as a brand new hit. With solid support from musical director Jeffrey Campos, a simple but handsome set by Ryann D. Lee, and extremely creative lighting by Erik J. Michael, Swasey & company deliver a swift-paced, utterly disarming Forever Plaid. 

What a pity APAC's Forever Plaid only runs for three weeks -- otherwise, I would go back time and again just to revel in it all. Kudos to APAC for carrying on its six year tradition of quality theatre in Astoria. Would that all of the outer boroughs could boast productions as delightful as this!

This production closed on May 14, 2006.

Link to: APAC website